A recent graduate of the Metropolitan Opera’s Lindemann Young Artist Development Program, contralto Megan Esther Grey is quickly gaining attention for her “brilliant interpretation(s) and singing” (MD Theatre Guide) in roles large and small across the United States. In the upcoming season, Ms. Grey makes her highly anticipated return to the Metropolitan Opera to sing Unborn 4 and cover Servant 3 in Die Frau ohne Schatten. She also joins the company to cover Page in Salome and makes her house and role debut with Painted Sky Opera as the title role in Beeson’s Lizzie Borden. In the 2023-2024 season, she portrayed Madame de la Haltière in Cendrillon with UNT Opera and covered Gertrude in Roméo et Juliette with the Metropolitan Opera. In high demand as the alto soloist for leading orchestras and ensembles, she joined the McKinney Philharmonic Orchestra for Mozart’s Requiem, performed Pierrot Lunaire with the NOVA ensemble, joined the New York City Ballet for Liebeslieder Walzer, and made her debut with the Phoenix Symphony in Mahler’s Symphony No. 2.

 

In 2022-2023, Ms. Grey made her Opera San Jose debut as Emeline in Alma Deutscher’s Cinderella and Mistress Quickly in Falstaff. On the concert stage, she also appeared as the soloist in Mahler’s Rückert Lieder with the Waterloo-Cedar Falls Symphony Orchestra. While on the roster of the Metropolitan Opera, Grey covered Dritte Dame in both the holiday adaption and the new production of Mozart’s Die Zauberflöte.

​

In 2021-2022, she returned to the Metropolitan Opera to cover both Suzuki and Kate Pinkerton in Madama Butterly, performed the title role of Britten’s The Rape of Lucretia with UNT Opera, sang Emilia in a concert production of Verdi’s Otello with the UNT Symphony Orchestra, and made her Washington Concert Opera debut as Mistress Bentson in Lakmé. In the summer of 2022, Ms. Grey joined the Santa Fe Opera, covering the role of Brangäne in Tristan und Isolde. 

​

Throughout the disrupted 2020-2021 season Ms. Grey performed in multiple recitals in collaboration with pianist Matthew Gemmill. In April of 2021, she was joined by pianist Mark Bilyeu and trombonist Derek Bromme for performances of Libby Larsen’s Mary Cassatt and Dominick Argento’s From the Diary of Virginia Woolf. This multimedia recital featured paintings by Mary Cassatt, as well as mixed media prints by Mer Brich and an animated script by Alexandra Saulsbury. In the summer of 2021, Ms. Grey returned to Wolf Trap Opera as Nellie Lovett in Sweeney Todd: The Demon Barber of Fleet Street in Concert.

​

The 2019-2020  season marked large milestones for Ms. Grey, including her Metropolitan Opera debut as Kate Pinkerton in the Anthony Minghella production of Madama Butterfly and appearances as 2nd Lady in Julie Taymor’s The Magic Flute. In February of 2020, she made her recital debut in the prestigious Park Armory Recital Series singing Mahler’s Rückert Lieder and selections from Dominick Argento’s From the Diary of Virginia Woolf. While her appearance as Carolina in Henze’s Elegy for Young Lovers with Wolf Trap Opera was canceled due to COVID19, Ms. Grey was able to return to Wolf Trap Opera as a Filene Artist during the summer of 2020 where she appeared in the “Into the Woods” project as Fricka in Die Walküre and as Hänsel in Hänsel und Gretel. 

 

Ms. Grey’s summer of 2019 saw rave reviews for her debuts at Wolf Trap Opera as Der Trommler in Viktor Ullmann’s Der Kaiser von Atlantis and Hippocratine in Gluck’s L’île de Merlin. Having sung “impressively and with notable flexibility” (Anne Midgette, Washington Post), she was also praised for demonstrating “remarkable calm while projecting power as the island’s doctor… and she showed some good moves coming down the slide” (OperaGene). Of her appearance as Der Trommler, Opera News remarked, “…Grey sounded like a Wagnerian-in-waiting, her tone steely and secure.” 

 

Ms. Grey has also made a mark on the West Coast as a participant in the prestigious Merola Opera Program in the summer of 2018. Her voice described as “potent and precise” (SFChronicle), she was also lauded for her performances in the Schwabacher Summer Series, especially as her portrayal of Erika from Samuel Barber’s Vanessa. 

 

Distinguished in competition, Ms. Grey was a Grand Finalist in The Metropolitan Opera National Council Auditions in 2018, a winner of Opera Index’s Walter’s Award in 2018, 2nd place winner in 2016’s Classical Singer vocal competition, a 2016 Presser Scholarship recipient, and the 2015 winner of the St. Paul Schubert Club’s annual Scholarship Competition. 

 

Originally from Cedar Falls, Iowa, Ms. Grey completed both her Bachelor of Music and Master of Music degrees at the University of Northern Iowa.