Aprite un po' quegli occhi: Le nozze di Figaro (W.A. Mozart) Colin Ramsey, bass-baritone
Bruce Stasnya, piano
Filmed and edited by Conduit Studios
May 2021

COLIN

RAMSEY

Bass-Baritone Colin Ramsey has been lauded for his “majestic, rotund, ravishing bass” (Opera Today). During the 2020-21 season, Mr. Ramsey returned to San Diego Opera as Colline in La bohème, Opera Santa Barbara as Fafner in Jonathan Dove’s arrangement of Das Rheingold and joined Pacific Opera Project as Guglielmo in a new production of Così fan tutte and the Festival Lyrique en Mar as Leporello in Don Giovanni (COVID19). Other recent engagements include returns to Opera Santa Barbara as Frère Laurent in Romèo et Juliette and the Bonze in Madama Butterfly, joining the Festival Lyrique en Mar as Raimondo in Lucia di Lammermoor and the bass soloist in Rossini’s Petite messe solennelle, and performing in multiple productions of La bohème as Colline with Opera Idaho, Gulfshore Opera, and Opera Buffs Inc in Los Angeles. In upcoming seasons, Mr. Ramsey will return to Opera Santa Barbara as Cadmus / Somnus in Semele, San Diego Opera singing The Speaker and 2nd Armored Man in Die Zauberflöte (COVID19), Capulet in Romèo et Juliette, and Betto in Gianni Schicchi and will make his Intermountain Bozeman debut singing Don Basilio in Il Barbiere di Siviglia.

 

His 2018-19 season was an exciting one including a return to the Los Angeles Philharmonic for performances of John Cage’s Europeras directed by Yuval Sharon. Mr. Ramsey also made his San Diego Opera debut as Marullo in Rigoletto and in the spring of 2019, Mr. Ramsey returned to Opera Santa Barbara for an exciting and timely production of Robert Ward’s The Crucible singing the role of Reverend Hale.

 

Other recent performances have seen him in role and company debuts singing Le Comte des Grieux in Manon, The Speaker in Die Zauberflöte, and his Santa Fe Opera debut singing the Registrar in Madama Butterfly and covering Edward Teller in John Adam’s Dr. Atomic in a landmark production directed by Peter Sellars. Mr. Ramsey’s unique “smoky” timbre has been well lent to additional roles such as Raimondo in Lucia di Lammermoor, Figaro in Mozart’s Le nozze di Figaro, Guglielmo in Così fan Tutte, Don Basilio in Il Barbiere di Siviglia, Father Palmer in Silent Night, Alidoro in Rossini’s La Cenerentola, Collatinus in Britten’s The Rape of Lucretia, Seneca in Monteverdi’s L’incoronazione di Poppea, Mr. Kofner in Menotti’s The Consul, Il Frate in Verdi’s Don Carlo, Angelotti in Tosca, and Cadmus and Somnus in Handel’s Semele.

 

Mr. Ramsey has a great passion for oratorio and concert repertoire. He has been a soloist at the Los Angeles Philharmonic, Pacific Symphony, St. Paul Chamber Orchestra, and La Jolla Symphony. Mr. Ramsey has performed as the bass soloist in Verdi’s Requiem, Dvorâk’s Stabat Mater, Jesus in Bach’s St. Matthew Passion, Rossini’s Petite Messe Solennelle, Handel’s Messiah, Faurè’s Requiem, Beethoven’s Choral Fantasy and the Brahms Requiem.

 

Mr. Ramsey has found success in the competition circuit as a winner of the Pasadena Opera Guild Competition, 3rd Prize winner in the Rocky Mountain Region of The Metropolitan Opera National Council Auditions and an Encouragement Award winner in the George London Foundation Competition.

 

Several Apprentice programs have been pivotal in Mr. Ramsey’s growth and training as a singer including those of The Santa Fe Opera, Des Moines Metro Opera, Wolf Trap Opera, Sarasota Opera, Opera Santa Barbara and the Crested Butte Music Festival. He is an alumnus of The Manhattan School of Music where he attended as a Presidential, and Presser Foundation Scholar. Upon graduating, he was honored with the Hugh Ross Award, given annually to a “singer of unusual promise.”

 

Mr. Ramsey holds a Bachelor of Music degree in Vocal Performance from the Manhattan School of Music.