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ABIGAIL RETHWISCH

soprano

 

Soprano Abigail Rethwisch stepped in on less than two hours’ notice in March 2017 to sing the title role of Lucia di Lammermoor for the entire run of Utah Opera’s production thrilling audiences with “her command of bel canto technique and riveting dramatic talent” (Opera News). During the 2019-2020 season, Ms. Rethwisch made her Dallas Opera debut singing Papagena and covering Der Königin der Nacht in Die Zauberflöte, returns to Utah Opera in the role of Anna Sørensen in the Pulitzer Prize winning Silent Night, rejoins the Columbus Symphony in Handel’s Messiah, and joins Fort Worth Opera, covering the roles of Musetta in La bohème and Adele in Die Fledermaus.

 

During the 2018-2019 season, Ms. Rethwisch made her company and role debut with Intermountain Opera Bozeman as Mabel in Pirates of Penzance. She also joined Opera Southwest as a guest soloist in their New Year's Eve Gala and returned to Utah Opera to sing First Lady in Die Zauberflöte. In the 2017-18 season she sang Adele in Die Fledermaus, and Nella in Gianni Schicchi with Utah Opera and joined the Utah Symphony as a soloist on their Great American Road Trip. Past Utah Opera appearances include Carmen, The Long Walk, Man of La Mancha, and Messiah. In the 2017-2018 season Ms. Rethwisch also sang Der Königin der Nacht with CoOperative in Princeton, NJ and joined the Columbus Symphony for the Brahms Requiem and Saariaho’s Leino Songs.

 

Ms. Rethwisch was a member of the prestigious Santa Fe Opera’s Apprentice Artist program in 2017 & 2018 where she covered Zerbinetta in Ariadne auf Naxos and sang scenes from La rondine (Lisette) and L’elisir d’amore (Adina). Ms. Rethwisch has spent previous summers as apprentice with Chautauqua Opera, where she sang the role of Annina and covered Violetta in La traviata, Des Moines Metro Opera covering Konstanze in Die Entführung aus dem Serail, and the CoOperative Program. During the 2015-2016 season, she was a Resident Artist with Tri-Cities Opera where she appeared in performances of Iolanta, The Telephone, and Sweeney Todd.

 

She has gained significant recognition in the Metropolitan Opera National Council Auditions, having been chosen as a regional finalist three times, most recently winning the Iowa district auditions in 2019. She holds a Bachelor of Music degree in Music Education from Simpson College and a Master of Music degree in Vocal Performance from Florida State University.

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